{"id":9510,"date":"2022-11-27T17:00:48","date_gmt":"2022-11-27T16:00:48","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=9510"},"modified":"2022-11-29T10:40:09","modified_gmt":"2022-11-29T09:40:09","slug":"jour-9-bemols","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2022\/11\/27\/jour-9-bemols\/","title":{"rendered":"Jour 9 : B\u00e9mols"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Les concerts gratuits n’en finissent plus de rameuter les foules. Cet apr\u00e8s-midi, \u00e0 la BFM de l’Aurence, il y a quasiment deux fois plus de rang\u00e9es de chaises que l’ann\u00e9e pass\u00e9e. Tant mieux pour Cordeone, accompagn\u00e9 pour l’occasion de Ga\u00ebl Rouilhac et de Giovanni Colletti. Il commence doucement le concert avec sa guitare portugaise, et les premi\u00e8res pistes du trio sont plaisantes, sans pour autant m’emporter. D\u00e8s qu’il la troque contre l’accord\u00e9on en revanche, je me laisse docilement emmen\u00e9 dans un univers bigarr\u00e9, faits des genres qu’il a crois\u00e9s sur sa route, avec une app\u00e9tence tr\u00e8s marqu\u00e9e pour le fado et le jazz manouche. J’ai la sensation que d’ann\u00e9e en ann\u00e9e, la qualit\u00e9 des concerts gratuits en journ\u00e9e cro\u00eet – et Cordeone en est l’exemple \u00e9clatant. Sans aucun doute une des explications de la fr\u00e9quentation grandissante de ces derniers.<\/p>\n

Je me punis tout seul, comme un grand. Avant m\u00eame le d\u00e9but du concert. Je cherche une place centrale, pas forc\u00e9ment proche de la sc\u00e8ne, mais dans l’axe principal. Il n’y a pas tant d’options dans ces crit\u00e8res, mais je trouve une place au dernier rang, sous le 1er balcon. Je ne le sais pas encore, mais je viens de commettre une terrible erreur. Et je ne la comprendrai qu’apr\u00e8s le concert, cette belle erreur de d\u00e9butant. L’acoustique \u00e0 cet endroit pr\u00e9cis n’est pas tout \u00e0 fait le m\u00eame que pour le reste de la salle, et les graves saturent tr\u00e8s vite. R\u00e9sultat, lorsque le premier morceau d\u00e9marre et que Gaston Joya commence \u00e0 s’en donner \u00e0 coeur joie avec sa basse, je n’entends plus que lui. J’entends \u00e0 peine les solos de Rolando Luna et d’Irving Acao, et les graves vibrent en moi de la seule fa\u00e7on dont je n’ai pas envie de vibrer : parce que le son arrive trop fort jusqu’\u00e0 moi.<\/p>\n

Fort heureusement, Gaston Joya alterne tout le concert durant la basse et la contrebasse, et le probl\u00e8me se fait bien moins ressentir lorsqu’il joue de cette derni\u00e8re. Ce qui me permet non seulement de reposer mon corps, mais de pouvoir enfin me r\u00e9galer du groupe pr\u00e9sent ce soir. Le soprano, si cher \u00e0 mon c\u0153ur, est encore de sortie ce soir pour quelques morceaux et je ne boude pas mon plaisir puisqu’il est mani\u00e9 par un arpenteur des clubs parisiens que j’ai l’habitude d’entendre, Irving Acao. Yaroldy Abreu manie ses congas avec une justesse imparable et imprime le rythme dont j’avais besoin pour m’\u00e9panouir \u00e0 l’\u00e9coute de la prestation.<\/p>\n

Un demi concert, cela aurait pu \u00eatre bien insuffisant \u00e0 mon bonheur. C’\u00e9tait sans compter sur la lumi\u00e8re qui m’\u00e9blouit \u00e0 tous les morceaux, basses trop puissantes \u00e0 mon go\u00fbt ou non. Durant les morceaux \u00e0 la basse, je me recroqueville un peu sur moi, je mets ma carapace acoustique et je me prot\u00e8ge en me privant. Carlos Sarduy n’en a rien \u00e0 faire. Chaque note qui sort de sa trompette trouve imm\u00e9diatement la faille dans cette carapace bien insignifiante face \u00e0 son phras\u00e9 plus aiguis\u00e9 qu’une lame de rasoir. Au bugle ou \u00e0 la trompette, avec ou sans sourdine, il fait mouche sur chaque morceau et vient illuminer mes moments de doute. Il transforme mon fauteuil d\u00e9cevant en sofa molletonneux parfaitement plac\u00e9 pour recevoir le concert. Ou comment transformer le plomb en or juste avec un peu de laiton. Magistral de bout en bout, tout simplement.<\/p>\n

J’ai la t\u00eate en chou fleur. Je me suis r\u00e9gal\u00e9, mais mes oreilles ont fourni beaucoup d’effort, et il faut encore aller \u00e0 l’Ambassade, pour aller \u00e9couter le 112 Brass Band. Le doute vient toquer \u00e0 ma porte. Ils seront l\u00e0 demain apr\u00e8s tout, et j’ai encore cette chronique \u00e0 \u00e9crire. Mais le souvenir de l’an pass\u00e9 m’emp\u00eache de commettre une deuxi\u00e8me erreur et me pousse jusqu’\u00e0 eux. Et m\u00eame si l’Ambassade est un peu plus calme ce vendredi, le 112 Brass Band applique ses meilleures recettes et emporte tout sur son passage, bien arm\u00e9 de l’humour flegmatique du d\u00e9j\u00e0 presque l\u00e9gendaire Jonas Muel. Ce soir, ils ne faisaient que s’\u00e9chauffer. J’ai h\u00e2te de voir ce que cela donnera demain, pour la derni\u00e8re de cette \u00e9dition \u00e0 l’Ambassade, et alors que j’aurais cette fois eu la pr\u00e9sence d’esprit de ne pas m’asseoir n’importe o\u00f9.<\/p>\n

photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”9512″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Cordeone, El Comit\u00e9, 112 Brass Band<\/p>\n","protected":false},"author":1,"featured_media":9511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-9510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2022"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 9 : B\u00e9mols - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2022\/11\/27\/jour-9-bemols\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 9 : B\u00e9mols - 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