{"id":9489,"date":"2022-11-24T11:20:47","date_gmt":"2022-11-24T10:20:47","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=9489"},"modified":"2022-11-25T13:28:28","modified_gmt":"2022-11-25T12:28:28","slug":"jour-7-un-nouveau-monde","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2022\/11\/24\/jour-7-un-nouveau-monde\/","title":{"rendered":"Jour 7 : Un nouveau monde"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Il est 14h30 lorsque D.O.T. ouvre le bal de la septi\u00e8me journ\u00e9e du festival au sein du conseil r\u00e9gional de Nouvelle-Aquitaine. A 14h32, j’ai les yeux riv\u00e9s sur Romain Last\u00e8re et ils ne vont plus le quitter du concert. Il repr\u00e9sente pr\u00e9cis\u00e9ment l’arch\u00e9type du batteur qui me fait chavirer. Un jeu tr\u00e8s moderne, qui utilise beaucoup le charleston et la slack, dans la droite lign\u00e9e d’un Yussef Dayes ou d’un Mc Knasty, un jeu riche, dense, qui donne \u00e0 la batterie une autre place dans l’\u00e9cosyst\u00e8me musical o\u00f9 on la pratique. Un jeu pr\u00e9cis et vif qui m’obnubile et qui affole mes oreilles. Impossible donc de me d\u00e9tacher de Romain Last\u00e8re, et forc\u00e9ment impossible de ne pas passer un moment d\u00e9lectable pendant que le trio m’emm\u00e8ne avec lui sur un rythme insens\u00e9.<\/p>\n

Alma FlamenKa, le groupe qui leur succ\u00e8de, propose un registre aux antipodes de ce que l’on vient d’entendre auparavant. Avec une fl\u00fbtiste traversi\u00e8re et deux guitaristes, le trio apporte un univers qui se joue des codes du flamenco traditionnel pour plut\u00f4t s’aligner avec Paco de Lucia. Les deux compositions de Baptiste Poncelet soufflent un vent de fusion sur leur musique et R\u00eave brumeux<\/em> laisse tout loisir \u00e0 Florence Eymery d’aller explorer les recoins jazz de leur galaxie, pour mon plus grand plaisir. J’en viens m\u00eame \u00e0 regretter le fait que la fl\u00fbtiste n’ait pu s’exprimer que sur deux compositions de Baptiste Poncelet. Une formation que je me surprends \u00e0 r\u00e9imaginer \u00e9go\u00efstement dans une configuration qui laisserait \u00e0 la fl\u00fbtiste encore plus de marge. Qui sait ? A une autre occasion peut-\u00eatre.<\/p>\n

Je parle de Yussef Dayes, de Paco de Lucia, j’utilise des r\u00e9f\u00e9rences, des souvenirs pour parler de ce que j’\u00e9coute et d\u00e9couvre au fil du temps. Je me raccroche souvent, voire toujours, \u00e0 ce que j’ai d\u00e9j\u00e0 entendu, \u00e0 des sentiments d’avant pour ordonner cette musique dans ma discoth\u00e8que mentale. Si besoin, je croise deux univers pour en appr\u00e9hender un nouveau. C’est involontaire. Automatique. Rassurant. Bien archiv\u00e9es dans ma biblioth\u00e8que musicale, il est plus ais\u00e9 de se pr\u00eater \u00e0 l’exercice de l’analyse.<\/p>\n

Mais alors que se passe-t-il lorsque l’inconnu se pr\u00e9sente ? C’est le cas ce soir. Ariel Bart et son trio proposent une musique que je ne raccroche \u00e0 rien. La formation, d’abord,m’est compl\u00e8tement \u00e9trang\u00e8re. Violoncelle, piano, harmonica, c’est quelque chose que je n’avais m\u00eame pas conceptualis\u00e9. Je suis ensuite pris de cours \u00e0 plusieurs reprises lorsque l’harmoniciste prend une direction que je n’assimile pas imm\u00e9diatement, le temps de me rendre compte que je m’\u00e9tais naturellement dirig\u00e9 \u00e0 droite pendant qu’elle virevoltait vers la gauche. M\u00eame sensation avec Arseny Rykov. Moins marqu\u00e9e, certes, mais il me d\u00e9route. Les chemins qu’il emprunte et qu’ils empruntent me surprennent. Je suis d\u00e9contenanc\u00e9, arrach\u00e9 \u00e0 mes racines bien \u00e9tablies. C’est l\u00e0, \u00e0 cet instant, que je plonge compl\u00e8tement dans la d\u00e9couverte. Plus de rep\u00e8res, plus de certitudes, simplement un harmonica chromatique compl\u00e8tement impr\u00e9visible et pour seul ancrage, le violoncelle de Mayu Shviro qui reste lui dans le domaine de mon entendement.<\/p>\n

Ce qu’il se passe alors, lorsque l’inconnu se pr\u00e9sente \u00e0 moi, c’est qu’un nouveau monde musical s’ouvre. Le champ des possibles cro\u00eet de fa\u00e7on exponentielle, de nouvelles combinaisons se forment dans mon esprit. La musique vient de prendre de nouvelles couleurs, qui ne faisaient partie d’aucun spectre connu jusqu’alors. Ce soir, Ariel Bart m’a ouvert une porte vers des horizons infinis, des formations inconnues et des suites d’accords in\u00e9prouv\u00e9es. Ce soir, l’harmoniciste isra\u00e9lienne m’a fait un cadeau inestimable, une invitation \u00e0 rejoindre un macrocosme vierge de toute exploration. Il ne me reste plus qu’\u00e0 m’y engouffrer.<\/p>\n

photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”9491″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

D.O.T, Alma FlamenKa, Ariel Bart <\/p>\n","protected":false},"author":1,"featured_media":9490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-9489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2022"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 7 : Un nouveau monde - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2022\/11\/24\/jour-7-un-nouveau-monde\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 7 : Un nouveau monde - 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