{"id":9470,"date":"2022-11-20T17:56:50","date_gmt":"2022-11-20T16:56:50","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=9470"},"modified":"2022-11-29T10:25:10","modified_gmt":"2022-11-29T09:25:10","slug":"jour-3-aquafortistes","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2022\/11\/20\/jour-3-aquafortistes\/","title":{"rendered":"Jour 3 : Aquafortistes"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Les ann\u00e9es passent, mais je ne m’habitue toujours pas au lever d\u00e8s potron-minet impos\u00e9 par les concerts \u00e0 l’irr\u00e9sistible Fraternit\u00e9. Je voudrais presque me plaindre, mais ce serait bien malvenu apr\u00e8s l’exp\u00e9rience de ce matin. Un simple bonjour et le concert de Mario Forte d\u00e9bute.<\/p>\n

Le violoniste d\u00e9bute son concert par un th\u00e8me classique, interpr\u00e9t\u00e9 avec ma\u00eetrise. Mais ce n’est pas ce qui retiendra toute mon attention. Apr\u00e8s cette introduction, Mario Forte ne s’arr\u00eatera plus. A l’aide d’un looper et d’effets utilis\u00e9s avec parcimonie, le violoniste navigue entre les styles avec aisance et alacrit\u00e9, muant au fil des m\u00e9lodies. Utilisant \u00e0 la perfection le jeu sans archet pour cr\u00e9er des accompagnements capables de sublimer son jeu, il est d’abord proche de Kheir Eddine M’Kachiche. Il traverse ensuite l’Atlantique pour se frotter \u00e0 Thelonious Monk le temps d’un Round Midnight<\/em> captivant, dans lequel je crois entendre quelques notes entrelac\u00e9es de Smile<\/em>.<\/p>\n

La p\u00e9r\u00e9grination ne s’arr\u00eate pas l\u00e0 puisqu’en fin de programme, on jugerait qu’il a troqu\u00e9 son violon pour un fiddle durant quelques instants. La palette du violoniste semble illimit\u00e9e, tant les notes sortent naturellement. Une reprise de La Vie en Rose<\/em> cl\u00f4t cette d\u00e9lectable exploration \u00e0 travers les genres.<\/p>\n

Quelques heures plus tard, Ga\u00ebl Rouilhac et Gilles Puyfages jouent \u00e9galement le jeu des reprises dans la BFM de Beaubreuil, une fois de plus bond\u00e9e. Au milieu de standards de la chanson fran\u00e7aise et du songbook am\u00e9ricain, le guitariste et l’accord\u00e9oniste nous offriront deux morceaux que je prends pour leurs compositions, Diamant Rouge, qui est bien de Ga\u00ebl Rouilhac et Indiff\u00e9rence, que je crois \u00eatre de Gilles Puyfages alors qu’il s’agit d’un autre standard, de Tony Murena cette fois-ci. Je l’apprends bien plus tard de la bouche de Gilles. Et donc, je reste persuad\u00e9 tout le concert qu’elle est de lui, cette Indiff\u00e9rence. <\/i>Bien que l’on parle par exemple d’Astor Piazzolla, de Jacques Brel ou de Fats Waller, les autres reprises me semblent bien p\u00e2les en comparaison \u00e0 l’interpr\u00e9tation de ces deux morceaux. Pas parce qu’elles sont fades, mais bien parce que le duo est transfigur\u00e9 lorsqu’il joue ce que je crois \u00eatre sa propre musique. M\u00eame si je sifflote ces airs bien connus en rentrant du concert, mon esprit est marqu\u00e9 par ces deux morceaux. Durant ces deux pi\u00e8ces, leur jeu me semble \u00eatre plus dense, plus juste, plus grave. Je suis alors persuad\u00e9 que le duo illustre parfaitement le fait qu’une reprise, aussi fantastique soit elle, ne pourra jamais offrir le m\u00eame sentiment de d\u00e9couverte qu’un morceau entendu pour la premi\u00e8re fois. En r\u00e9alit\u00e9, une reprise le peut, puisqu’Indifference<\/i> me procure ces sensations. C’est la seule chose qui me manque cet apr\u00e8s-midi, finalement. Je me languis de plus de leurs compositions, alors m\u00eame que je n’ai jamais entendu celles de Gilles Puyfages. J’aimerais pouvoir entendre leurs voix plut\u00f4t que l’interpr\u00e9tation de celles d’un autre. Car ces voix-l\u00e0 cachent tr\u00e8s certainement des tr\u00e9sors encore enfouis que je suis avide de d\u00e9couvrir.<\/p>\n

photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”9478″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Mario Forte, Gilles Puyfages Ga\u00ebl Rouilhac <\/p>\n","protected":false},"author":1,"featured_media":9472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-9470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2022"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 3 : Aquafortistes - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2022\/11\/20\/jour-3-aquafortistes\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 3 : Aquafortistes - 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