{"id":5387,"date":"2018-11-26T12:48:01","date_gmt":"2018-11-26T12:48:01","guid":{"rendered":"http:\/\/www.eclatsdemail.com\/?p=5387"},"modified":"2022-06-23T13:34:31","modified_gmt":"2022-06-23T11:34:31","slug":"jour-11-le-don-de-la-soul","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2018\/11\/26\/jour-11-le-don-de-la-soul\/","title":{"rendered":"Jour 11 : Le Don de la Soul"},"content":{"rendered":"

Ouverture de l\u00e9gende, cl\u00f4ture de l\u00e9gende. Apr\u00e8s 11 jours d’instants fi\u00e9vreux, de d\u00e9lices sonores et d’exaltations musicales, il \u00e9tait n\u00e9cessaire d’accueillir un artiste mythique pour apporter un point final \u00e0 la hauteur de cette treizi\u00e8me \u00e9dition du festival Eclats D’Email. Ce soir, Don Bryant incarne ce r\u00f4le \u00e0 la perfection. Depuis deux ans, le rayonnant septuag\u00e9naire venu de Memphis est de retour sur la route et on sent puissamment qu’il ne boude nullement son plaisir de fouler \u00e0 nouveau le plancher des sc\u00e8nes internationales. Venu avec les Bo-Keys, groupe originaire de Memphis tout comme lui, il nous ram\u00e8ne un demi si\u00e8cle plus t\u00f4t, a l’\u00e9poque de l’enregistrement de son premier album, Precious Soul<\/em>. <\/p>\n

Apr\u00e8s tant d’ann\u00e9es, il revient donc porteur plus que jamais d’un message d’amour universel et sans conditions , qu’il nous transmet avec une voix br\u00fblante de l’amour qu’il semble porter au plus profond de lui. Son inimitable timbre envahit tout l’espace du Grand Th\u00e9\u00e2tre de Limoges, parfois sans m\u00eame qu’il ait besoin d’utiliser son micro. Le r\u00e9pertoire est partag\u00e9 entre des grands classiques de la soul et ses propres enregistrements, dont il a \u00e9crit, pour la majeure partie, les paroles. Avec Memphis Soul Stew<\/em>, un classique de King Curtis, il se transforme pour un morceau en Brook Benton et son fameux Hit Record<\/em>, lan\u00e7ant tour \u00e0 tour les instruments pour d\u00e9velopper un th\u00e8me \u00e9chevel\u00e9 et entra\u00eenant. Show man dans l’\u00e2me, il conserve tout le concert une \u00e9nergie communicative et arbore un sourire ravageur, qui remonterait jusqu’au sommet de son cr\u00e2ne s’il en \u00e9tait capable. Everything is Gonna be Alright<\/em>, nous assure-t-il ensuite avec aplomb, pour ce morceau qui rappelle forc\u00e9ment le Shotgun<\/em> des Jr Walker & The All Stars, v\u00e9ritable tube des ann\u00e9es 60. Il est \u00e9vident que le bonheur qui l’irradie n’est pas feint, et assister \u00e0 la standing ovation d’un public admiratif semble \u00eatre pour lui un d\u00e9lice dont il ne saurait se passer. Pour conclure un concert ma\u00eetris\u00e9 de bout en bout, le Don de la Soul et son groupe nous r\u00e9galent d’un monument de la soul qu’il avait \u00e9crit avec Ann Peebles avant leur mariage, I Can’t Stand The Rain<\/em> qui rappelle forc\u00e9ment de sweet memories<\/em>. La salle, survolt\u00e9e, est debout. Aux quatre coins de l’Op\u00e9ra, les visages sont illumin\u00e9s, anim\u00e9s par la joie simple d’avoir partag\u00e9 un moment d’extase grisant avec un grand monsieur de la musique. <\/p>\n

C’est ainsi que s’ach\u00e8ve ce somptueux voyage. De Ron Carter \u00e0 Don Bryant, ce festival aura \u00e9t\u00e9 l’occasion de d\u00e9montrer une fois de plus l’infinie richesse d’un style musical centenaire qui ne cesse d’\u00e9voluer, d’explorer, et de changer d’apparence \u00e0 chaque instant. Comment pourrait on imaginer une parent\u00e9 entre David Murray et Didier Ithursarry ? Un lien entre Lisa Doby et Festen ? On ne le peut pas. Et pourtant, ils \u00e9taient l\u00e0, r\u00e9unis sous un m\u00eame \u00e9tendard f\u00e9d\u00e9rateur, un \u00e9tendard qui ch\u00e9rit le jazz sous toutes ses formes, de toutes les \u00e9poques, sans discrimination aucune. Gr\u00e2ce \u00e0 cette ouverture, on aura pu d\u00e9couvrir la libert\u00e9 sans borne d’Elodie Pasquier, l’intelligence mirifique d’Uriel Herman ou encore le talent ind\u00e9chiffrable de Cassius Lambert. Gr\u00e2ce \u00e0 cette ouverture, on aura pu retrouver le son affolant du saxophone baryton de Silvia Ribeiro Ferreira, les po\u00e8mes enrag\u00e9s de Saul Williams et les tribulations s\u00e9millantes d’\u00c9douard Ferlet. <\/p>\n

Elle est bien l\u00e0, toute la r\u00e9ussite et la beaut\u00e9 de ce festival. M\u00e9langer les genres, inviter \u00e0 la d\u00e9couverte, au l\u00e2cher prise, rassembler. Embrasser le jazz pour ce qu’il est, ce qu’il a \u00e9t\u00e9, ce qu’il sera et continuera d’\u00eatre.<\/p>\n

photo : Didier Radiguet<\/p>\n","protected":false},"excerpt":{"rendered":"

Don Bryant & The Bo-Keys<\/p>\n","protected":false},"author":1,"featured_media":8428,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-5387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2018"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 11 : Le Don de la Soul - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2018\/11\/26\/jour-11-le-don-de-la-soul\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 11 : Le Don de la Soul - 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