{"id":5343,"date":"2018-11-22T14:47:07","date_gmt":"2018-11-22T14:47:07","guid":{"rendered":"http:\/\/www.eclatsdemail.com\/?p=5343"},"modified":"2022-06-23T13:32:27","modified_gmt":"2022-06-23T11:32:27","slug":"jour-6-herstory-of-jazz","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2018\/11\/22\/jour-6-herstory-of-jazz\/","title":{"rendered":"Jour 6 : Herstory of jazz"},"content":{"rendered":"

En juin 2007, sortait Femmes du Jazz<\/em>, un ouvrage \u00e9crit par Marie Buscatto sur la place des femmes dans le jazz, et qui mettait en lumi\u00e8re une r\u00e9alit\u00e9 que ce monde porte depuis ses d\u00e9buts : en France, seulement 8% des musiciens de jazz \u00e9taient des femmes. Onze ans plus tard, si la situation a peut \u00eatre un peu \u00e9volu\u00e9, il n’y a eu aucun bouleversement, que ce soit en France ou dans le reste du monde. Et c’est en ce sens l\u00e0 que la d\u00e9marche d’\u00c9douard Ferlet et de son trio du soir est non seulement louable, mais aussi absolument n\u00e9cessaire. En s’appuyant sur la collection d’archives l\u00e9gu\u00e9e par Jean Marie Masse \u00e0 la ville de Limoges en 2015, le pianiste s’est mis en qu\u00eate d’enregistrements d’instrumentistes f\u00e9minines afin de retranscrire leur musique et ainsi leur rendre hommage, en plus de leur donner la visibilit\u00e9 qu’elles n\u2019ont jamais eue. <\/p>\n

Plut\u00f4t que de se limiter \u00e0 un concert dans une forme classique, le trio a organis\u00e9 une v\u00e9ritable mise en sc\u00e8ne. Canap\u00e9 en cuir rouge, table basse sur laquelle repose une bouteille de spiritueux, tourne disque et piano droit, les trois comp\u00e8res ont voulu profiter de cette musique d’un autre temps pour cr\u00e9er une atmosph\u00e8re propice au partage. Ils ont par ailleurs ajout\u00e9 \u00e0 cette disposition un \u00e9cran qui permet de diffuser des extraits d’archives montrant ces femmes de tr\u00e8s grand talent. Le r\u00e9sultat est certes tr\u00e8s r\u00e9ussi, mais l’on oublie finalement tr\u00e8s rapidement ce d\u00e9cor, \u00e9clips\u00e9 par trois musiciens brillants qui remettent en lumi\u00e8re et au go\u00fbt du jour ces compositions oubli\u00e9es. Rapha\u00ebl Imbert, au soprano et au tenor, est supersonique. Il joue du et avec ses saxophones avec une dext\u00e9rit\u00e9 et une aisance ahurissante. Le soprano est mystique, envo\u00fbtant, quand le tenor se fait fr\u00e9n\u00e9tique et d\u00e9cha\u00een\u00e9. Il se mue m\u00eame l’espace de quelques notes en Rahsaan Roland Kirk et joue des deux instruments en m\u00eame temps. Sa performance majuscule atteint probablement son paroxysme gr\u00e2ce \u00e0 un solo de Terry Pollard que le trio a retranscrit pour l’occasion. Si l’on veut pouvoir d\u00e9montrer tout son doigt\u00e9, on peut difficilement se passer d’un mat\u00e9riau de grande qualit\u00e9, et c’est exactement ce qu’offre Pollard. Cette pianiste est pour ainsi dire inconnue. Pourtant, les images d’archives d’une performance avec le quartet de Terry Gibbs qui d\u00e9filent sous nos yeux montrent une pianiste de la trempe des plus grands. Et pour cause, bien que la carri\u00e8re de cette derni\u00e8re f\u00fbt tr\u00e8s courte, elle enregistra plusieurs albums avec Yusef Lateef et Dorothy Ashby, et joua avec Miles Davis, John Coltrane, ou encore Charlie Parker\u2026 Un tel curriculum vit\u00e6 est sans \u00e9quivoque, mais encore insuffisant pour une femme dans les ann\u00e9es 50.<\/p>\n

Le trio continue son exploration avec Roll em<\/em>, un stride de Mary Lou Williams qu’Edouard Ferlet d\u00e9bute au piano droit, forc\u00e9ment, et qui permet \u00e0 Simon Tailleu de parcourir fr\u00e9n\u00e9tiquement sa contrebasse. Les corps s’agitent, la t\u00eate part dans ce fameux mouvement incontr\u00f4l\u00e9 que tout fan de jazz n’a un jour o\u00f9 l’autre pas \u00e9t\u00e9 capable de r\u00e9primer, et les semelles battent la moquette du grand th\u00e9\u00e2tre \u00e0 toute vitesse. Ferlet n’\u00e9chappe quant \u00e0 lui pas \u00e0 sa r\u00e9putation d’improvisateur hors pair et, sur un dernier Central Park West<\/em>, peint un de ses chefs d’\u0153uvre qui reste ancr\u00e9 dans nos imaginaires des d\u00e9cennies durant. <\/p>\n

Il fallait au moins l’\u00e9loquence inou\u00efe des trois h\u00e9rauts du soir pour faire honneur \u00e0 des musiciennes tomb\u00e9es dans l’oubli, et l’on ne peut souhaiter qu’une chose, c’est que ce premier jet aux allures de coup de ma\u00eetre soit le d\u00e9but d’une collaboration fructueuse pour ce trio d’excellence \u00e0 la d\u00e9marche admirable.<\/p>\n

photo : Didier Radiguet<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9douard Ferlet, Rapha\u00ebl Imbert, Simon Tailleu<\/p>\n","protected":false},"author":1,"featured_media":8440,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-5343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2018"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 6 : Herstory of jazz - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2018\/11\/22\/jour-6-herstory-of-jazz\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 6 : Herstory of jazz - 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