{"id":12533,"date":"2025-11-21T19:44:50","date_gmt":"2025-11-21T18:44:50","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=12533"},"modified":"2025-11-23T13:00:18","modified_gmt":"2025-11-23T12:00:18","slug":"jour-7","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2025\/11\/21\/jour-7\/","title":{"rendered":"Jour 7 – Songbooks"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Les rendez-vous du midi \u00e0 l\u2019Office de tourisme se poursuivent, toujours avec la m\u00eame qualit\u00e9. J’aurais pu passer la journ\u00e9e \u00e0 \u00e9couter S\u00e9bastien Farge nous raconter l’accord\u00e9on, et ceux et celles qui ont fait son histoire. Durant le forum qui a pr\u00e9c\u00e9d\u00e9, Marc Bertin, r\u00e9dacteur en chef de Junkpage, parlait justement de l’importance de l’\u00e9ducation \u00e0 la culture et \u00e0 la musique pour renouveler l’auditoire des musiques de niche. J\u2019ai la solution. Il suffit de cloner S\u00e9bastien Farge, et de le diss\u00e9miner un peu partout en France. Il n\u2019y a pas de meilleur professeur pour cela qu\u2019une personne dont on sent chaque fibre vibrer pour l’accord\u00e9on, un pan majeur de notre patrimoine musical fran\u00e7ais.<\/p>\n

Apr\u00e8s le r\u00e9pertoire fran\u00e7ais, le r\u00e9pertoire arm\u00e9nien. Tigran Hamasyan ne m\u2019embarque pas imm\u00e9diatement avec lui. Je n’\u00e9tais pr\u00eat ni pour la puissance tonitruante d\u00e9ploy\u00e9e sur le premier morceau, ni pour les lumi\u00e8res en pleine face qui venaient me titiller pendant le second. Je me demandais pourquoi il y avait un clavi\u00e9riste en plus du pianiste, je trouvais que la mise en place du deuxi\u00e8me morceau trop longue, bref, je bougonnais. Je me voyais m\u00eame me demander si j\u2019allais rester.<\/p>\n

Je serais pass\u00e9 \u00e0 c\u00f4t\u00e9 d\u2019un monument. Comme un fait expr\u00e8s, juste apr\u00e8s cette r\u00e9flexion, Arman Mnatsakanyan m\u2019explique qu\u2019il est hors de question que je quitte cette salle. Sur Hazaran Blbul, le batteur m\u2019offre la porte d’entr\u00e9e dont j\u2019avais besoin. Un jeu diaboliquement pr\u00e9cis, avec beaucoup de nuances, tr\u00e8s m\u00e9lodieux. Apr\u00e8s \u00e7a, les deux heures ont d\u00e9fil\u00e9 sans que je ne m\u2019en rende compte. Deux heures d\u2019une musique qui va dans tous les sens, qui prend ses influences partout, et qui est profond\u00e9ment jubilatoire. Je suis pass\u00e9 de renfrogn\u00e9 \u00e0 extatique, rejoignant pour la soir\u00e9e le clan des headbangers.<\/p>\n

Apr\u00e8s une proposition d\u2019une telle richesse et d\u2019une telle complexit\u00e9 du quartet de Tigran Hamasyan, j\u2019ai une petite inqui\u00e9tude. Une telle densit\u00e9 fatigue forc\u00e9ment l\u2019oreille, alors encha\u00eener avec un power trio de la trempe de celui qui inaugure la collaboration entre le b\u00e2timent 25 et le festival fait un peu peur. Il semblerait que cette journ\u00e9e \u00e9tait plac\u00e9e sous le signe des doutes rapidement balay\u00e9s. Apr\u00e8s un morceau de Giorgi Mikadze, oubli\u00e9 Tigran pour le moment, oubli\u00e9e la folie du Grand Th\u00e9\u00e2tre, bonjour l\u2019univers surprenant du pianiste
\ng\u00e9orgien, qui nous propose de d\u00e9couvrir le r\u00e9pertoire inconnu de son pays. Depuis que je viens au festival, il me manquait pr\u00e9cis\u00e9ment cette ambiance-l\u00e0. Un club de jazz. Un lieu intimiste, avec de la musique de tr\u00e8s grande qualit\u00e9. La formule me semble toute trouv\u00e9e
\navec le b\u00e2timent 25. Giorgi Mikadze a le doigt\u00e9 ravageur et v\u00e9loce auquel je suis compl\u00e8tement incapable de r\u00e9sister. Si on ajoute les fr\u00e8res Moutin \u00e0 l’\u00e9quation, il ne reste bient\u00f4t plus sur ma chaise qu\u2019une poup\u00e9e d\u00e9sarticul\u00e9e, comme \u00e9chapp\u00e9e du film The Dolls are laughing, contr\u00f4l\u00e9e par les trois instrumentistes prodigieux.<\/p>\n

France, Arm\u00e9nie, G\u00e9orgie, en une journ\u00e9e de festival, j\u2019ai pu profiter de la profondeur de trois r\u00e9pertoires eurasiatiques, et go\u00fbter la chance d\u2019avoir des ambassadeurs prodigieux pour les repr\u00e9senter.<\/p>\n

Alexandre Fournet<\/strong><\/p>\n

 <\/p>\n

\u00a9 Photo Didier Radiguet[\/vc_column_text][vc_single_image image=”12535″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

S\u00e9bastien Farge et Philippe Parant, Tigran Hamasyan, Giorgi Mikadze<\/p>\n","protected":false},"author":1,"featured_media":12534,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[52],"tags":[],"class_list":["post-12533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2025"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 7 - Songbooks - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2025\/11\/21\/jour-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 7 - 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