{"id":11721,"date":"2024-11-21T15:47:06","date_gmt":"2024-11-21T14:47:06","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=11721"},"modified":"2024-11-21T15:47:06","modified_gmt":"2024-11-21T14:47:06","slug":"jour-7-adelphites","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2024\/11\/21\/jour-7-adelphites\/","title":{"rendered":"Jour 7 : Adelphit\u00e9s"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Horm\u00ea ouvre le bal d\u2019une journ\u00e9e qui sera m\u00e9morable. Le jeune quartet est le premier \u00e0 se produire dans l\u2019un des auditoriums de l’h\u00f4tel de r\u00e9gion de la Nouvelle Aquitaine. La qualit\u00e9 premi\u00e8re des compositions de Rozann B\u00e9ziers et Robin Jolivet, c\u2019est leur compl\u00e9mentarit\u00e9. Le groupe jongle entre deux styles diff\u00e9rents, l\u2019un plus rock, l’autre plus a\u00e9rien, tout en gardant son identit\u00e9. Robin Jolivet en profite pour largement se faire plaisir, d\u00e9montrant toute sa dext\u00e9rit\u00e9 \u00e0 la guitare. Apr\u00e8s un de ses solos, une dame \u00e0 c\u00f4t\u00e9 de moi ne s\u2019y trompe pas \u201cAh oui, c\u2019est tr\u00e8s bon\u201d. Nous sommes bien d’accord, madame.<\/p>\n

Je sais bien que la programmation du festival me d\u00e9\u00e7oit rarement, et je sais bien que chaque mercredi apr\u00e8s-midi de chaque \u00e9dition \u00e0 l’h\u00f4tel de r\u00e9gion de Nouvelle Aquitaine sera le th\u00e9\u00e2tre de nouvelles d\u00e9couvertes. Je sais aussi que d’ann\u00e9e en ann\u00e9e, la qualit\u00e9 des
\nconcerts gratuits du festival ne cessent de monter. Tout cela je le sais. Mais rien n\u2019aurait pu me pr\u00e9parer \u00e0 la prestation d\u2019Asura.<\/p>\n

Ils sont suppos\u00e9s \u00eatre laur\u00e9ats d’un tremplin, un tout jeune groupe d\u2019une bonne ann\u00e9e, comme le dit Martin Vernoux en pr\u00e9ambule. Je n’ai pas assist\u00e9 au concert d\u2019un jeune groupe, j’ai assist\u00e9 \u00e0 l\u2019un des plus beaux concerts de cette \u00e9dition 2024, et je me suis empress\u00e9 \u00e0 mon retour du concert de chercher si leur musique \u00e9tait disponible quelque part, sous une forme ou une autre. Les compositions de Martin Vernoux sont sublimes. C\u2019est de la musique que j\u2019ai envie d\u2019entendre en concert, d\u2019entendre chez moi, d\u2019entendre dans les transports. J\u2019ai envie qu\u2019elle m\u2019accompagne au quotidien, en fait. Il y a dans cette musique une inexplicable candeur. Ainsi, Pierre Thiot m\u2019\u00e9meut aux larmes apr\u00e8s seulement quelques notes de Croquet volant, et je suis pris d\u2019une \u00e9motion \u00e0 la fois intense et rass\u00e9r\u00e9nante. La puissante justesse du saxophoniste, avec ou sans effet, m\u2019a compl\u00e8tement conquis. Je ne saurais dire duquel des quatre instrumentistes sourd l\u2019aura fraternelle qui \u00e9mane de l’ensemble, mais il est certain qu\u2019ils en sont tous saisis. Je ne pensais pas profiter d\u2019un concert aussi grandiose cet apr\u00e8s-midi.<\/p>\n

Alors forc\u00e9ment, avec une telle apr\u00e8s-midi, j\u2019appr\u00e9hende un peu le concert du soir. David Krakauer, figure embl\u00e9matique du jazz klezmer, est, j\u2019imagine, dans une \u00e9nergie compl\u00e8tement diff\u00e9rente de ce qui m\u2019est tomb\u00e9 dessus cet apr\u00e8s-midi. Mais est-ce que le clarinettiste en a quelque chose \u00e0 faire de mes \u00e9tats d\u2019\u00e2me ? Absolument pas. En deux morceaux, mes inqui\u00e9tudes s\u2019envolent, et j\u2019entre compl\u00e8tement dans le concert.<\/p>\n

Je parle souvent de voyages, d\u2019explorations, d\u2019influences diverses ressenties \u00e0 travers les concerts. Ce soir, le programme compos\u00e9 par David Krakauer et Kathleen Tagg d\u00e9passe tr\u00e8s largement les canons habituels du voyage, du multiculturalisme et du partage. Avec un batteur originaire du Japon, un percussionniste iranien, un guitariste et joueur d\u2019oud issue d\u2019une famille juive orthodoxe am\u00e9ricaine, un bassiste de Brooklyn, une chanteuse et rappeuse canadienne, une pianiste et multi instrumentiste sud africaine et enfin un clarinettiste am\u00e9ricain issue d’une famille \u00e9migr\u00e9e de Pologne, ce groupe aurait d\u00e9j\u00e0 une histoire riche \u00e0 raconter.<\/p>\n

Cette histoire nous est transmise par un groupe qui n\u2019est pas seulement la r\u00e9union de plusieurs musiciens talentueux aux cultures diverses, mais bien une seule entit\u00e9 qui nous conte l\u2019universalit\u00e9. Sarah MK est la premi\u00e8re \u00e0 marquer de son esprit hip hop la soir\u00e9e. Pas
\nune seule de ses prises de chants et de paroles ne d\u00e9note, bien au contraire, elle apporte un souffle grisant \u00e0 l\u2019ensemble, qu\u2019elle chante en fran\u00e7ais ou en anglais. Tous peuvent largement s\u2019exprimer, prendre leur place dans ce concert, le marquer de leur empreinte.<\/p>\n

Le r\u00e9sultat ? Une musique pantagru\u00e9lique, abondante, g\u00e9n\u00e9reuse. Un nuancier d’humanit\u00e9. Souvent effr\u00e9n\u00e9e, mais parfois beaucoup plus mesur\u00e9e. Lorsque Jerome Harris prend le micro pour reprendre \u00e0 sa fa\u00e7on Wayfaring Stranger, dans une ode \u00e0 l\u2019union entre juda\u00efsme
\nchristianisme et islam, le concert bascule encore dans une autre dimension. La sobri\u00e9t\u00e9 de la voix du bassiste, et l’histoire qu\u2019il raconte, touche tout de suite, comme si l\u2019on comprenait d\u2019un coup l\u2019Histoire enti\u00e8re de plusieurs peuples que l\u2019on a r\u00e9uni.<\/p>\n

Ce concert est une d\u00e9monstration. Une d\u00e9monstration du g\u00e9nie de l\u2019humain, de son g\u00e9nie \u00e0 cr\u00e9er, \u00e0 partager, \u00e0 magnifier et amplifier quand il fait le choix de l\u2019union. Brillant.<\/p>\n

Par Alexandre Fournet<\/strong><\/p>\n

 <\/p>\n

Cr\u00e9dit photo : Didier Radiguet[\/vc_column_text][vc_single_image image=”11723″ img_size=”full” alignment=”center” css=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Horm\u00ea, Asura, David Krakauer<\/p>\n","protected":false},"author":1,"featured_media":11722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-11721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2024"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 7 : Adelphit\u00e9s - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2024\/11\/21\/jour-7-adelphites\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 7 : Adelphit\u00e9s - 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