{"id":10777,"date":"2023-11-26T19:56:53","date_gmt":"2023-11-26T18:56:53","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=10777"},"modified":"2023-11-28T20:00:36","modified_gmt":"2023-11-28T19:00:36","slug":"jour-10-revelations","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2023\/11\/26\/jour-10-revelations\/","title":{"rendered":"Jour 10 : R\u00e9v\u00e9lations\u00a0"},"content":{"rendered":"

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J’essaie toujours d’\u00e9crire juste apr\u00e8s les concerts. Cela me permet d\u2019avoir des souvenirs clairs, d\u2019abord, et ensuite de pouvoir extraire les derni\u00e8res effluves des \u00e9motions qui m’ont travers\u00e9es. Cela peut donc m’emmener au c\u0153ur de la nuit, selon mon inspiration du soir et l’heure du dernier concert. Et le lendemain, je dois compter sur mon r\u00e9veil si je ne veux rien manquer du festival. Ce matin, il m\u2019a trahi. Il est 12h30 lorsque j’\u00e9merge et AMG est d\u00e9j\u00e0 bien loin. Je ne peux pas dire que je suis ravi. Je n’avais entendu que des louanges \u00e0 leur \u00e9gard, et j\u2019avais cru comprendre que leur univers me si\u00e9rait particuli\u00e8rement. Puisqu’il ne me reste plus que cela, je pars en qu\u00eate de leur musique sur internet. Et effectivement, il m’appara\u00eet tout de suite que j’aurais pass\u00e9 un merveilleux moment. Le quartet AMG a d\u00e9j\u00e0 d\u2019excellentes compositions et un jeu suffisamment \u00e9toff\u00e9 pour les servir. Je me console en me disant qu’avec un tel niveau, je devrais pouvoir les revoir sans trop tarder. C’est donc tout penaud que je me rends \u00e0 mon premier concert de la journ\u00e9e, au mus\u00e9e des Beaux-Arts.<\/p>\n

Le Melkoni Project propose pour l’occasion un petit menu d\u00e9gustation en trois temps. Rapha\u00ebl Tristan Jouaville nous offre en guise de mise en oreille un solo de violon qui me fait bien vite oublier mes d\u00e9ceptions matinales, appr\u00e9ciant particuli\u00e8rement les fugaces r\u00e9f\u00e9rences \u00e0 Round\u2019 Midnight. Cette introduction m\u2019a mis en app\u00e9tit et j’ai d\u00e9sormais faim de l\u2019entr\u00e9e durant lequel le violoniste est rejoint par Gwen Cahue. Forc\u00e9ment, avec un duo guitare violon, le jazz manouche n’est jamais loin et les deux instrumentistes ne vont pas se g\u00eaner pour aller explorer ces univers. Un beau bouillon clair, tr\u00e8s simple, bien connu, mais terriblement efficace gr\u00e2ce \u00e0 la qualit\u00e9 du duo.\u00a0<\/span><\/p>\n

Reste alors que le plat de r\u00e9sistance qui va transformer ce duo \u00e0 cordes: la voix de Louise Perret, ou l’une de mes tr\u00e8s belles d\u00e9couvertes du festival. La chanson fran\u00e7aise n\u2019a pas de grande place dans mon c\u0153ur, et seuls quelques \u00e9lus au verbe haut ont su s\u2019y en faire une, Claude Nougaro et Camille Bertault en t\u00eate. Il semblerait bien que la chanteuse du Melkoni Project ait trouv\u00e9 sa place \u00e0 leurs c\u00f4t\u00e9s. Avec ceux qui ma\u00eetrisent l’art de faire de leur voix un instrument, au m\u00eame titre que n’importe quel autre. Un instrument parfois effr\u00e9n\u00e9, \u00e0 la scansion irr\u00e9prochable, un instrument parfaitement plac\u00e9, tant\u00f4t puissant, tant\u00f4t discret. Louise Perret a l’intelligence rare du dosage parfait, tout le temps. Je n’ai pas eu de dessert mais je suis repu, et je repars du mus\u00e9e avec une superbe r\u00e9v\u00e9lation en moi.\u00a0<\/span><\/p>\n

En revanche, il n’y aura pas de r\u00e9v\u00e9lation, de quelque sorte qu\u2019elle puisse \u00eatre, pour moi, \u00e0 l\u2019Op\u00e9ra, que je quitte pr\u00e9matur\u00e9ment. Le Harlem Gospel Choir n’a pas su m\u2019emporter, malgr\u00e9 des chanteurs excellents, notamment Kiara Alisha Ray et son Greatest Love of All<\/i> qui aurait pu me toucher si son sens n’en avait pas \u00e9t\u00e9 d\u00e9voy\u00e9 pour l’occasion. Je ne suis tout simplement pas fait pour les pr\u00eaches, aussi brillamment d\u00e9livr\u00e9s qu’ils peuvent \u00eatre.<\/p>\n

J\u2019oublie vite cette d\u00e9convenue pour aller mieux d\u00e9couvrir les Lazcar Volcano \u00e0 la palette si large. Ce soir, c’est C\u00e9cile Thibert qui attire particuli\u00e8rement mon attention, notamment sur l\u2019introduction d\u2019El Apagon<\/i>, qui a un petit air de Concierto de Aranjuez. <\/i>La trompettiste a un son franc que je finis par entendre toujours un peu plus que le reste, peu importe le style dans lequel le Brass Band d\u00e9cide de s\u2019aventurer. Quel son!<\/p>\n

Photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”10779″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Melkoni Project, Harlem Gospel Choir, Lazcar Volcano<\/p>\n","protected":false},"author":1,"featured_media":10778,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-10777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2023"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 10 : R\u00e9v\u00e9lations\u00a0 - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2023\/11\/26\/jour-10-revelations\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 10 : R\u00e9v\u00e9lations\u00a0 - 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