{"id":10767,"date":"2023-11-24T16:19:21","date_gmt":"2023-11-24T15:19:21","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=10767"},"modified":"2023-11-28T19:56:14","modified_gmt":"2023-11-28T18:56:14","slug":"jour-8-anatomie-du-vide","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2023\/11\/24\/jour-8-anatomie-du-vide\/","title":{"rendered":"Jour 8 : Anatomie du vide"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Fin du concert de Bertrand Belin. \u00c9lectrocardiogramme plat. Pour moi, il ne s’est rien pass\u00e9. Je n\u2019ai, malheureusement, rien ressenti. Et \u00e0 priori, je suis le seul, ou l\u2019un des seuls. Le public est extatique. Je laisse tra\u00eener mon oreille, j\u2019interroge autour de moi, pour tenter de comprendre ce qui ne s’est pas jou\u00e9 chez moi mais partout autour de moi. On parle de classe, de gr\u00e2ce, d\u2019un univers unique, de cette filiation \u00e0 Alain Bashung, des textes. Je m\u2019interroge, car je n’ai \u00e0 aucun moment su voir toutes ces choses pendant la soir\u00e9e. Je suis venu sans \u00e0 priori aucun, en ne connaissant absolument rien de Bertrand Belin, si ce n’est son nom et son statut. Lorsque le concert d\u00e9bute, je suis donc pr\u00eat \u00e0 tout, curieux et avide de d\u00e9couverte.<\/p>\n

Il commence \u00e0 chanter, parfaitement bien. Mais ni sa voix, ni son vibrato ne me plaisent vraiment. Eh bien, cela arrive. Je porte mon oreille sur l\u2019instrumentation. C\u2019est sympathique, et encore une fois, c’est bien fait. Simple, juste. Mais tout ce que je peux en dire, c’est \u00e7a. Sympathique. Alors je continue \u00e0 chercher un terrain de plaisir, je m\u2019attache donc au personnage, \u00e0 ce qu\u2019il d\u00e9gage sur sc\u00e8ne. Je suis maintenant un peu mal \u00e0 l\u2019aise. J\u2019avoue que l\u2019imitation d\u2019autres instruments n\u2019est pas vraiment ma gesticulation pr\u00e9f\u00e9r\u00e9e. Je n\u2019abandonne pas, et tente de m’impr\u00e9gner des paroles, qui pourraient peut-\u00eatre me permettre de mieux comprendre le spectacle du soir. Elles restent obscures \u00e0 mon entendement, il me faudra m’y repencher ult\u00e9rieurement. Il me reste la sc\u00e9nographie, et je trouve qu\u2019elle est particuli\u00e8rement r\u00e9ussie. Des jeux de lumi\u00e8re simples mais probants, et une esth\u00e9tique plaisante.<\/p>\n

Je passe donc le concert ainsi, pas convaincu. Jusqu\u2019au dernier morceau, \u201cLa Com\u00e9die\u201d. La chanson commence par un clavier voix \u00e0 la m\u00e9lodie accrocheuse. Je d\u00e9couvre la voix de Bertrand Belin sous un autre jour et appr\u00e9cie particuli\u00e8rement ses fredonnements. Durant ces quelques instants, je rentre enfin dans le concert et passe un v\u00e9ritable bon moment. Et le concert prend fin. \u00c0 part ces quelques instants, c’est le vide en moi.<\/p>\n

Je me d\u00e9p\u00eache de me rendre \u00e0 Pompette, pour deux raisons. La premi\u00e8re c’est que la semaine derni\u00e8re, le bar \u00e9tait plein \u00e0 craquer pour les deux concerts des Lehmanns Brothers et la deuxi\u00e8me c’est que je connais le groupe qui se produit ce soir et que je ne veux surtout pas les rater. \u00c0 mon arriv\u00e9e, je constate que le vide qui s’\u00e9tait empar\u00e9 de moi durant le concert pr\u00e9c\u00e9dent s\u2019est transport\u00e9 \u00e0 Pompette. Certes, j\u2019ai un peu d\u2019avance, mais il y a tout de m\u00eame vraiment peu de monde. J\u2019ai un pincement au c\u0153ur, car je me dis qu\u2019un tel artiste m\u00e9rite plus d’attention, mais il semblerait que peu de gens aient d\u00e9cid\u00e9 de faire le d\u00e9placement depuis l\u2019Op\u00e9ra. Quel dommage.<\/p>\n

Sur sc\u00e8ne, des musiciens de tr\u00e8s haut niveau jouent le jazz vif et imp\u00e9tueux imagin\u00e9 par Rodolphe Lauretta, dont le T-shirt estampill\u00e9 Flu Note est annonciateur de tr\u00e8s bonnes nouvelles. Et je prends mon pied. La cymbale stacks de Laurent Emmanuel Bertholo imprime un rythme aguicheur, d\u00e9licieux. Son son si particulier est sans doute le meilleur repr\u00e9sentant de l’esth\u00e9tique de \u201cKreolia\u201d, le projet que le saxophoiste d\u00e9fend ce soir. Une musique \u00e0 la fois extr\u00eamement exigeante mais qui reste pourtant tellement accessible. Un projet audacieux, inventif, qui sait le pass\u00e9 et qui s\u2019en empare dans le pr\u00e9sent. Ils vont jouer sans discontinuer pendant pr\u00e8s de deux heures, m\u00eame pas arr\u00eat\u00e9s par les \u00e9clats de voix des joueurs de baby-foot. Deux heures de joie, deux heures de puissance, deux heures d\u2019extase pour moi, notamment lorsque la trompette d\u2019Olivier Laisney vient se nicher dans mon oreille, pour ajouter encore un peu \u00e0 mon exaltation. Et forc\u00e9ment, lorsque vient \u201cThe Roy\u201d, hommage au trompettiste sans qui je n’aurais m\u00eame pas \u00e9t\u00e9 pr\u00e9sent \u00e0 ce concert, je suis aux anges.<\/p>\n

Et puis, quelques secondes \u00e0 peine apr\u00e8s que le concert soit fini, au moment d\u00e9lectable de silence qui suit une performance r\u00e9ussie, moment ultime de prolongation de l\u2019euphorie, PAF. La musique d\u2019ambiance de Pompette est remise imm\u00e9diatement, comme si on effa\u00e7ait compl\u00e9ment cette performance inou\u00efe, comme si ce moment de musique ne valait pas grand chose. Alors que ces musiciens ont donn\u00e9 sans compter, brillamment, on lance une playlist et on passe \u00e0 autre chose. Vous \u00eates au cin\u00e9ma. Vous venez de voir le film Polytechnique de Denis Villeneuve. Vous \u00eates glac\u00e9s, sous le choc, terrass\u00e9s. Apr\u00e8s les cr\u00e9dits, vous voulez prendre encore quelques instants, pour vous remettre de vos \u00e9motions. Et l\u00e0 sur l’\u00e9cran, PAF. La bande annonce des Tuches 4. C\u2019est criminel.<\/p>\n

Ce soir, c’est rare, je suis un peu d\u00e9gout\u00e9. Je suis pass\u00e9 \u00e0 c\u00f4t\u00e9 du premier concert, et j’ai l’impression que beaucoup sont pass\u00e9s \u00e0 c\u00f4t\u00e9 du second. Je rentre. Je me remets \u201cKreolia\u201d, puis j’encha\u00eene avec Shades 3 de Kassa Overall, auquel j\u2019ai repens\u00e9 gr\u00e2ce au t-shirt de Rodolphe Lauretta. Un cadeau de plus apr\u00e8s ces deux heures d\u2019all\u00e9gresse. Je me dandine. Je hoche la t\u00eate. Qu’est-ce que c’est bon la musique. \u00c7a va mieux. Merci Rodolphe.<\/p>\n

Photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”10775″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Bertrand Belin, Rodolphe Lauretta<\/p>\n","protected":false},"author":1,"featured_media":10774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-10767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2023"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 8 : Anatomie du vide - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2023\/11\/24\/jour-8-anatomie-du-vide\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 8 : Anatomie du vide - 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