{"id":10761,"date":"2023-11-23T20:01:37","date_gmt":"2023-11-23T19:01:37","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=10761"},"modified":"2023-11-23T20:01:37","modified_gmt":"2023-11-23T19:01:37","slug":"jour-7-promesses","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2023\/11\/23\/jour-7-promesses\/","title":{"rendered":"Jour 7 : Promesses"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]J\u2019avais appr\u00e9ci\u00e9 la limpidit\u00e9 et la simplicit\u00e9 de la proposition d\u2019Anyel Curren l\u2019an dernier, et j\u2019avais donc h\u00e2te de d\u00e9couvrir Aniel, le groupe qui s\u2019est form\u00e9 depuis autour de la joueuse de kora. Son quartet, qui se produit cet apr\u00e8s-midi au sein du conseil r\u00e9gional de Nouvelle Aquitaine, est rest\u00e9 dans la m\u00eame \u00e9nergie. Un style tr\u00e8s \u00e9pur\u00e9, dans lequel la voix de la chanteuse est accompagn\u00e9e le plus sobrement possible, afin de laisser la place \u00e0 des textes touchants et justes. Je retrouve donc la musique que j’avais laiss\u00e9 l\u2019an dernier, enrichie d\u00e9licatement sans en briser l’\u00e9quilibre.<\/p>\n

Apr\u00e8s l\u2019ing\u00e9nuit\u00e9 d\u2019Aniel, vient l\u2019intensit\u00e9 de Lapsus, un trio pour qui la recherche sonore semble \u00eatre primordiale. Le bassiste Antoine Brunet puise amplement dans toute la diversit\u00e9 que lui offre son instrument pour cr\u00e9er des ambiances \u00e9ph\u00e9m\u00e8res avec lesquelles il jongle brillamment. Parfois, ces ambiances tranchent fortement avec le jeu minimaliste du pianiste Bruno Rougevin-Baville, fait de ritournelles ent\u00eatantes. Et c’est tant mieux. Car c’est ce contraste, renforc\u00e9 par ailleurs par le jeu ultra moderne de F\u00e9lix Faviez, qui est \u00e0 l’origine d\u2019une musique qui peut \u00eatre aussi radieuse que profond\u00e9ment brumeuse. Un projet \u00e0 l’\u00e9criture foisonnante servi par des musiciens excellents techniquement et surtout compl\u00e8tement impliqu\u00e9s dans la philosophie de cette cr\u00e9ation. Tr\u00e8s tr\u00e8s prometteur.<\/p>\n

Prometteur, Festen l’\u00e9tait il y a cinq ans, lorsque je d\u00e9couvrais leur musique pour la premi\u00e8re fois au studio de l’Ermitage, dans le cadre du festival Laborie. Le temps a pass\u00e9, et le \u201cInside Stanley Kubrick\u201d de 2018 a son successeur, \u201cReplicant\u201d. Je m’installe donc dans le fauteuil de la Maison de Arts et de la Danse avec des attentes d\u2019aventure, de voyage musical riche en paysages. Je vais commencer par \u00eatre quelque peu frustr\u00e9. D\u2019abord, les lumi\u00e8res m’agressent, et je suis en r\u00e9alit\u00e9 incapable de garder les yeux ouverts tr\u00e8s longtemps. Tr\u00e8s vite, je les ferme pour ne les rouvrir que sporadiquement. Je comprends l\u2019id\u00e9e derri\u00e8re ces lumi\u00e8res. Elles doivent aider \u00e0 figurer le voyage tumultueux de Roy Batty, personnage phare du Blade Runner de Ridley Scott, que le projet de ce soir veut raconter. Et effectivement, on s\u2019imagine bien les \u201cships on fire\u201d et les \u201cC-beams glitter\u201d devant le festival lumineux du soir. Mais j’aurais aim\u00e9 que cette histoire soit relat\u00e9e de fa\u00e7on un peu moins agressive pour mes r\u00e9tines.<\/p>\n

Donc, je ferme les yeux. Et le voyage commence. Le saxophone de Damien Fleau fait son \u0153uvre et puisque je ne vois plus, mon si\u00e8ge de salle de concert se transforme en un si\u00e8ge de cockpit. Je pars tr\u00e8s vite, tr\u00e8s loin. Je visite des astres br\u00fblants, je contemple des n\u00e9buleuses iridescentes, je perds la notion du temps et de l\u2019espace en me d\u00e9pla\u00e7ant \u00e0 des ann\u00e9es lumi\u00e8res de ma r\u00e9alit\u00e9. Et m\u00eame si parfois, je peine \u00e0 entendre le piano de Jean Kapsa, camoufl\u00e9 par la puissance de la batterie de Maxime Fleau, je suis happ\u00e9 dans cette curiosit\u00e9 musicale interstellaire.<\/p>\n

Fin du concert. Rappel. Et encore une petite frustration pour moi. Cette \u0153uvre musicale \u00e9tait d\u00e9j\u00e0 compl\u00e8te. Mon voyage \u00e9tait termin\u00e9, je n’attendais plus qu\u2019une chose, le silence. Une telle musique demande une respiration, un temps en sas de d\u00e9compression, et j’ai l’impression de me le faire subtiliser. Je me sens spoli\u00e9. Spoli\u00e9, et pourtant ravi. Car cette sensation na\u00eet d\u2019un constat tr\u00e8s simple. C’est parce que ce voyage \u00e9tait \u00e9patant que je ressens une \u00e9motion aussi forte.<\/p>\n

Photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”10763″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Aniel, Lapsus, Festen<\/p>\n","protected":false},"author":1,"featured_media":10762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-10761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2023"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 7 : Promesses - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2023\/11\/23\/jour-7-promesses\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 7 : Promesses - 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