{"id":10751,"date":"2023-11-19T20:57:48","date_gmt":"2023-11-19T19:57:48","guid":{"rendered":"https:\/\/www.eclatsdemail.com\/?p=10751"},"modified":"2023-11-22T21:39:11","modified_gmt":"2023-11-22T20:39:11","slug":"jour-3-a-demil-a-lheure","status":"publish","type":"post","link":"https:\/\/www.eclatsdemail.com\/gb\/2023\/11\/19\/jour-3-a-demil-a-lheure\/","title":{"rendered":"Jour 3 : A Demil \u00e0 l’heure"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Quelle journ\u00e9e! De 6h45 \u00e0 minuit 30, le festival n’\u00e9tait pas avare de musique ce samedi avec 6 concerts pr\u00e9vus entre le petit matin et le d\u00e9but de la nuit. Je commence la journ\u00e9e d\u00e8s le poitron-jacquet, avec le batteur devenu conteur Jean-Marc Lajudie. Le tout jeune bandon\u00e9oniste a d\u00e9cid\u00e9 de nous raconter en musique une petite histoire de son instrument, et de la musique par la m\u00eame occasion. Et forc\u00e9ment, avec une carri\u00e8re aussi longue et prolifique que la sienne, la besace \u00e0 contes est bien remplie. Apr\u00e8s quelques morceaux et surtout quelques anecdotes, je\u2019yb prends go\u00fbt et attends la suivante avec impatience. De ce petit bout d\u2019histoire, de son histoire, que l’instrumentiste nous offre \u00e9l\u00e9gamment. En une heure, j’ai pu appr\u00e9hender l’atmosph\u00e8re d\u2019une \u00e9poque qu\u2019aucun film ne saurait me pr\u00e9senter. J’aurais pu rester l\u00e0 toute la journ\u00e9e, \u00e0 \u00e9couter ce grand homme raconter ses petits contes.<\/p>\n

Mais le temps file et le trio d\u2019Al\u00e8s Demil n\u2019attendra pas. Les comparaisons fusent dans mon esprit \u00e0 l’\u00e9coute de ce guitariste qui vient seulement de commencer son voyage musical public. Le niveau de jeu d\u2019Al\u00e8s Demil est inimaginable. Est-on parti pour cinquante, soixante, soixante-dix ans d\u2019Al\u00e8s Demil ? Se dire que ce n\u2019est que le d\u00e9but de l’histoire de cet instrumentiste lorsque je ressens d\u00e9j\u00e0 un tel sentiment d\u2019accomplissement, se dire que je vais peut-\u00eatre vieillir au son de cette guitare qui me r\u00e9serve une infinit\u00e9 de r\u00e9alit\u00e9s auxquelles je n\u2019ai encore jamais song\u00e9es, c\u2019est vertigineux. Vertigineux, et d\u00e9licieux. J’ai h\u00e2te d\u2019assister \u00e0 ses lendemains, et je veux continuer \u00e0 me d\u00e9lecter de son pr\u00e9sent. Une belle talmouse au milieu de ma figure.<\/p>\n

Il est 15h et la richesse et la complexit\u00e9 de la musique d\u2019Al\u00e8s Demil a d\u00e9j\u00e0 alt\u00e9r\u00e9 s\u00e9rieusement mon \u00e9tat. Le trio d\u2019Alexis Colosio a une solution simple \u00e0 ma condition ; un encha\u00eenement de standards doux, que je connais bien et qui m\u2019offrent un espace de repos appr\u00e9ciable, guid\u00e9 par la d\u00e9licatesse de la trompette de Jean-Paul Del Medico. Une parenth\u00e8se duveteuse dans une journ\u00e9e men\u00e9e tambour battant, et qui continue par ailleurs avec la d\u00e9couverte des \u0153uvres d\u2019Anne-Marie Doyen. DOAM est expos\u00e9e pour toute la dur\u00e9e du mois de novembre \u00e0 la BFM de l\u2019Aurence. Tout comme je m\u2019exprime \u00e0 travers l’\u00e9coute de la musique, elle cr\u00e9e en \u00e9coutant ce que les sons voulaient bien lui offrir. Un exercice \u00e0 d\u00e9couvrir sur place jusqu’\u00e0 fin novembre, donc.<\/p>\n

20h. Mangane et toute l’\u00e9quipe qui l’entoure se pr\u00e9sentent sur la sc\u00e8ne de l\u2019Op\u00e9ra de Limoges. Contrairement \u00e0 l’ann\u00e9e pass\u00e9e, pas d\u2019Alune Wade \u00e0 la basse. Celui qui a assur\u00e9 la direction musicale du projet et a permis la rencontre des artistes pr\u00e9sents sur sc\u00e8ne est remplac\u00e9 par Ranto Rakotomalala. Je suis donc forc\u00e9ment intrigu\u00e9 et impatient de voir \u00e0 la fois comment le groupe fonctionne sans le bassiste s\u00e9n\u00e9galais, et comment il a \u00e9volu\u00e9, un an apr\u00e8s le concert au centre culturel Jean Gagnant. Je ne vais pas \u00eatre d\u00e9\u00e7u. Anthony Jambon dessine une trame musicale riche qui lie les huit acolytes, et son son a pris encore plus d’\u00e9paisseur, de richesse et d\u2019amplitude. Il irradie d\u2019une s\u00e9r\u00e9nit\u00e9 tranquille, pendant que ses doigts tissent l\u2019architecture d\u2019une grande soir\u00e9e musicale. Sacr\u00e9e journ\u00e9e pour les amateurs de guitare.<\/p>\n

Avec de telles fondations, il y a de la place pour s’exprimer, pour s\u2019amuser. Les deux pitres de la section cuivre ne me contrediront pas. J’essaie de ne pas les regarder tout le temps, mais je suis irr\u00e9m\u00e9diablement attir\u00e9 par l\u2019une des nombreuses chor\u00e9graphies splendides qu\u2019ils mijotent. Libres de s\u2019amuser, et de s\u2019exprimer aussi. Rien ne m\u2019a plus touch\u00e9 que le solo d’Hugues Mayot au soprano sur \u201cLa Famille\u201d. On pourrait me r\u00e9torquer que mon amour du soprano allait forc\u00e9ment mener \u00e0 cette conclusion, bien au contraire. A tant l\u2019aimer, j\u2019en deviens exigeant. Et pourtant, \u00e0 ce moment-l\u00e0, je vibre intens\u00e9ment.<\/p>\n

Quant \u00e0 Mangane, c’est un spectacle \u00e0 lui tout seul. Sa voix, son \u00e9nergie, l’hilarit\u00e9 et le bonheur simple qui le caract\u00e9risent me prennent au corps. Je suis \u00e0 la fois \u00e9mu par le personnage, amus\u00e9 par sa simplicit\u00e9, hilare de sa bonhommie. C’est un petit soleil de musique, radieux, entra\u00eenant, et encore plus lorsqu\u2019il se saisit de son sanza.<\/p>\n

Je sors de ce concert bienheureux, le sourire aux l\u00e8vres, et ce n\u2019est pas la deuxi\u00e8me prestation des Lehmanns Brothers qui risque de me l\u2019arracher. Ils auraient plut\u00f4t tendance \u00e0 l’\u00e9largir plus que de raison. Ce soir, c’est la basse survitamin\u00e9e de Cl\u00e9ment Jourdan qui est \u00e0 l’honneur, slap\u00e9e jusqu\u2019\u00e0 n\u2019en plus pouvoir. Ce concert chez Pompette a tout de m\u00eame un \u00e9norme d\u00e9faut par rapport \u00e0 celui de la veille. La veille, je pouvais me r\u00e9jouir de les retrouver le lendemain. Mais maintenant qu’ils ne reviendront plus, que me reste-t-il ?<\/p>\n

photos : Didier Radiguet[\/vc_column_text][vc_single_image image=”10759″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Retour aux chroniques” style=”flat” shape=”square” color=”black” link=”url:https%3A%2F%2Fwww.eclatsdemail.com%2Fchroniques%2F|title:chroniques”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Jean-Marc Lajudie, Al\u00e8s Demil, Alexis Colosio, Mangane, Lehmanns Brothers<\/p>\n","protected":false},"author":1,"featured_media":10758,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-10751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edition-2023"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":true},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nJour 3 : A Demil \u00e0 l'heure - Festival \u00c9clats d'\u00c9mail Jazz \u00c9dition<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eclatsdemail.com\/2023\/11\/19\/jour-3-a-demil-a-lheure\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jour 3 : A Demil \u00e0 l'heure - 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